Utah 12 begins near Bryce Canyon National Park and ends, 125 miles later, near Capitol
Reef National Park. It is a road for slow driving, with inviting stops that offer wide
views over colorful sandstone formations, deeply carved canyons, some with lazy creeks
that give life to trees and shrubs, a bit of green that lives precariously in this arid
land. Some canyons accept the road itself for a while. The curvy road is not heavily
travelled, at least it was not in September 1999 when I was there.
Utah 12 is a friendly road. It lets you take part in the wilderness without threatening
you, because it, the road, is there to carry you back to civilization. You hardly ever
think of the eras when wilderness was threatening. In those days, you better shared the
experience of your fear, shared the danger to achieve a brittle security. You either
crossed this wilderness with others, or you didnt cross it.
But no longer. Utah 12 is a civilized undertaking.
2. Romantic Bryce and Bryce, the Farmer
The towers of Red Canyon at the southern end of Utah 12 prepare you for Bryce Canyon,
which is actually not a canyon, but a cliff with colorful sandstone formations filling the
foreground. The sandstone has eroded into shapes that challenge your imagination. Beyond,
you glance over a fertile valley until you meet far-away cliffs. All the colorful towers
and various formations of Bryce Canyons fame would be much less beautiful without
the wideness of the view, the distance. What is this beauty? Does it come from the rocks?
The farmer Bryce who lived in the fertile valley and who gave Bryce Canyon its name was
once asked what he thought of the place. He supposedly answered: "It is a hell of a
place to lose a cow in." He lived in a different world. And you realize: the beauty
of the place, the beauty of the wilderness is a class-phenomenon.
The beauty we see today did not exist for the farmer Bryce. His>education had not
included Romanticism, the movement that discovered the beauty of nature. Unlike the
tourist ambulating along the rim, looking out to the distances, he did not have leisure
time. It was people with leisure time, people who had other people to look after the cows,
plow the fields, weave and sew the garments, it was the people who invented Romanticism
more than 200 years ago who transformed the fear of a powerful God into the enjoyment of
beauty in nature.
For the Romantics, mountains no longer were impediments to be circumvented but objects
of awe. The word "awe" is of Scandinavian origin and originally meant fear.
Today, "awe" is a word we associate with religion: the awe of God is the fear of
power, the ultimate power over life and death.
Romanticism historically reverted to religion, disputing the rationalism of
Enlightenment. This can be healthy as long as the powerful are enlightened. Yet
Romanticism, the cult of genius and of irrationality, without rational balance, can be
fearfully destructive. Awe is tamed in beauty but it still contains its fear, hidden fear,
hidden danger. Beauty compels you out of the ordinary. The ordinary is security. The
beauty of the wilderness lies in its not being civilization. Without the counterbalance of
civilization, the wilderness would be frightful, and frightful it can become at any
moment.
3. Fear and Beauty
When my eyes take in the stony and lonely vastness from the high points on Utah 12, my car
is near me, the car that has brought me and will transport me out of that stony desert, on
the paved highway that is Utah 12, burning substances derived from beings that lived
millions of years ago. No longer do I have to walk the arid desert, sweating during the
day, shuddering at night, expecting an enemy at every turn. Civilization made my being
here possible: the workers who made my car, the workers who built the road. Civilization
is security in industrial society, with its heritage of exploitation and violence.
And yet: I enjoy the view with, and as a sense of, freedom, the freedom of distance
from civilization, away from other human beings, nobody telling me what to do. The freedom
from civilization is also a freedom by civilization. That is where the awe and the fear
have gone: into the contradictions of life. But there they are. Lifes very own
contradiction, death, is there. Seas once existed where the sandstone is now, seas full of
living beings, gone now, as we will be gone. And yet plants, lizards, life springs from
the rocks while vultures float overhead, waiting for death.
Freedom in this great country of ours. Won from tribes who did not understand that soil
is property. Settled by Europeans, Chinese, Japanese who fled the narrowness of their
homelands for the freedom of acquiring property that had eluded them in their homelands.
This land of the free, busy building more and more prisons. This great power capable of
sowing death everywhere for the sake of freedom. This same land lets me have this view, my
freedom. Mine?
Religion, before it was civilized by competing with civilization meant the fear of the
gods who held the power of death. Modern religion derives its power by promising to make
you feel good and not noticing the hypocrisy. Facing the contradictions of life means
accepting paradoxes.
Perfectionism kills. Rationality and Romanticism. Life and death. Uncovering the fear
hidden by civilization and not being overcome by it. Perhaps that was the "it"
of Utah 12.
Utah 12: wide views, sandstone formed by ancient seas, canyons dug by falling rain and
flowing water, rarely a tree, more often a shrub, birds flying, lizards hasting, no fence,
no wall, mountains in the distance drawing the line of the horizon, and, nearer, yellow
flowers at the side of the road.