
TOP 10 MIDI'S
Everybody knows that hyperlinks are one of the great benefits of the
Internet. We continue to be amazed, though, how few sites make use of another of the
benefits: sound.
From the beginning, Magellan's Log
has used midi files. Actually, in the beginning, we OVERUSED midi files. It was so
tempting. If a writer mentioned Elvis, then, sure, let's put "Blue Suede Shoes"
behind the piece while the reader reads. Actually, as we quickly, learned, what happens
is: the readers TRIES to read. Music, unless it is Muzak (in which case, why bother), is
distracting when mixed with prose, especially if the music is blasting right in your face.
So we moderated our use of music greatly,
discovering that where music on the Internet really does work beautifully is with
graphics. Big surprise, huh? Just call us slow-learners.
Since Magellan's Log does a lot of
graphics features (note the words "images" and "beauty" above our
banner), we have wound up using a lot of midi files.
For Magellan's Log 25--the Music Issue, it
occurred to us that it might be helpful to readers (not to mention a lot of fun for us) to
go through all those midi's and pick out the really good ones.
There are those who would say that
"good midi" is an oxymoron. In a sense, they're right. A midi file after all is
a very limited way of telling a computer to play a certain series of notes at a certain
volume and tempo using one (or a combination of) some 100-odd computer generated sound.
The niceties which make live music live
music, such as subtleties of rhythmic variation and complex overtones, are completely
absent from midi files.
Which is why so many midi's sound, well,
mechanical and lifeless. But creating a midi transcription can be a challenge, like
writing a sonnet. Going in, you know the rules. The idea is to see what you can get
working within those rules.
The results can be surprisingly good. People
who transfer music to midi are known as sequencers, and, judging by the number of midi
files on the Internet,sequencers exist in the millions and spend a lot of time doing
sequences when they are probably supposed to be doing other things (such as their job).
Still, with so many people working at the
challenge, you're bound to wind up with some fine stuff. Which is what our little list
below is about.
One caveat: You need to have a decent
soundcard in your computer and a decent wave-table installed and at least halfway decent
speakers. If you don't, even good midi sequences will be about as interesting as the beeps
and squeals in the original Pong.
One defense: With mp3, one may ask re
midi's: why bother? Because the very harmonic simplicity of midi's, which in unskilled
hands can reduce Bach to toy-music triviality, can in skilled hands offer a newly
transparent Bach, allowing us to hear with new ears.
Traditional: Dueling
Banjos, 2:23.
Chopin: Polonaise in A-flat, 6:22.
Liszt: Hungarian Rhapsody No. 2, 7:51.
Handel: Messiah, "Hallelujah," 3:56.
Chopin, Fantasie Impromptu, 4:54.
Bach: (Little) Fugue in g minor, 3:44.
Mendelssohn: Rondo Capriccioso, 7:04.
Saint-Saens: Piano Concerto No. 2, 3rd movement, 6:34.
Sullivan: The Lost Chord, 3:56.
Corelli: Variations on "La Folia," 6:47.
Bach: Passacaglia and Fugue in c minor, 12:51.
Bonus Midi:
Cage: Sonata for Unplayed Piano. |