January
2007

"Is the voyage worth making that does not enhance
awareness of our shared humanity?"

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The
Texas
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Copyright © 2006
Masthead
Staff Biographies
"Giving well is the best revenge."
--Douglas Milburn.
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Cave
paintings are to this civilization as the Internet (form and content) is to whatever is
coming next.

To the rose, it is a universe
of thorns. To the kindergartener, it is a universe of barred playpens. For all
its beauty, the rose inhabits a world of thorns. Kindergarteners, for all their potential,
inhabit a world of fences and locked gates. What interest in such worlds could inhabitants
of congruent but other worlds have?

All is fictions.

How even more childish would our
behavior be if we were not finally and absolutely humbled by understanding nothing of
death.

As the first French improved the walls
of caves, we now improve the ether.

No science, no theology has dealt,
except in the most superficial way, with the fact of the existence of diamonds.

The wave rises, curls, froths, rejoins
the water it never left.

No matter what you think or wish, you
do not choose your audience.

In Peru did you
know that Macchu Picchu
is the llama's
pajamas?

The Last Days of America
(For Want
of a Novel)
What I thought at the time was the worst turned out to be the best. Not that it was
especially good, but "best" in the way of all human bests.

Brim-full cisterns are of little use.

The Dissonant
Music of the Spheres
So great is the emotive damage and so pervasive its causes that only thousands upon
thousands of generations' accretive correction can solve the problem.

On reading Cormac McCarthy: It's easy
to tell the storyteller from the stroy, but neither from the place where they both happen.

The tainted germ.

No wonder the old are tired. They work
24/7 at not living.

Hormone-free at last, old men harp
harmlessly on harmony, or dis it. No difference.

Praise from other ants should be
neither sought, accepted, denied, nor demeaned.

To nurture or not to nurture: That is
the question.

My guess is that none of it
counts in any way that can be talked about.

The cynical want to take away your teething ring
once and for all. Some gullible offer assurances that with proper behavior the teething
ring is your forever. Other fullible want only to figure out how it's made and then make
better ones.

The center is here. The center is elsewhere.

The only thing the fathers fear is the judgment of
children.

The doors are unlocked. Always.

China doesnt need much. One thing that would
help is less fucking and more sucking.

In your search for clues don't forget this one:
There's one way to be born but a thousand ways to die.

Academic composers : the 20th century = salon
painters : the 19th century.

Art is metaphysical travelogues.

Science tries to outwit nature. Philosophy tries to
outwait it. I, to wait it out.

Balance. Balance.



|
We so want there to be an abyss.
We so want there not to be an abyss.
We so want to be heroes of the night.
We so want to be heroes of the day.

It is neither healthful nor helpful to
remind the mind too often of its spuriousness.

"I can easily imagine the world
without me. I cannot imagine me without the world." For the grand prize, explain what
is wrong with those two sentence.

The only people more dangerous than
those who think they have found the answer are those who think likewise but pretend the
don't.

The percentage of writers who can write
is roughly the same as the percentage of humans who can compose symphonies.

The Three States of Human Denial
1. Our pervasive, on-going violence.
2. The many selves (Freud vastly over-simplified).
3. The vastness of our ignorance.

A society that rears its children in
the superficial knows, seeks, and rewards only superficial excellence.

We are surrounded by, immersed in,
reminders of mystery. If you can't see them, then worship in your religion of choice, as
long as you let your neighbor do the same without interference.

What really irks the Arabs about the
Jews is that the Jews did religion, first, bigger, and better.

One of these days our curiosity is
going to get us in real trouble.

It's hard to say which has greater
toxic potention in excess: religion, art, or science.

All believers are reductionists. They
range from the simple (primitives) to the simplistic (Scientists, religious adherents) to
the complex (artists).

Skeins and scrim, vapors and veils,
snakes and snail and puppy do tails.

As I become more transparent, putti
visit nights to check my substantiality.

The only correct response to
"Why?" is "What not?".

As in science, so in art: Eventually
you've explored the surface. At that point you go below, or above, or you ossify.

A meretricious, cancerous selffulness
that eats a whole being and leaves something behind or nothing. Such is genius.

Name on large-scale on-going change
humans have made in either social behavior or structre that they were not force to make by
circumstance.

There are ten thousand kinds of fucking. Our
barbarous animalism, our vaunted, flaunted materialism makes us think theres only
one and its cock-cunt.

Semele is not a good role model.

On a lounging bench in some grove, subropical I
think, some thing, sheet-wrapped, writhes, its distress that of birth or death, though at
this distance I can't tell whether the dirty wrappings are swaddling or shroud. Finish the
story yourself sometime.

Theyre horny too, the "gods".
Frightened, desperate, jaded.

Beware the wounded Irish psyche given occasion and
opportunity to vent. Only the sturdies of worlds can survive such an onslaught.

Are we, to some, objects of arousal?

Cormac McCarthy, from the race besotted on words and
gifted in words almost beyond telling, comes to the place (West Texas) and race (cowboys)
of fewest words. He comes and can't leave, can't understand it, can't tell it to his
satisfaction, can't let it go so (like Vivaldi) he keeps telling--brilliantly--the same
story over and over.

McCarthy's is a nice world to visit but I wouldn't
want to live there.

At the end the 20th century finally
produced a great comic novelist, one whose comedies of manners are almost a match for
those of his fellow Irishman at the end of the 19th century. One difference: Wilde was
trying to be funny. McCarthy isn't.

On McCarthy's prose: Affects? Yes.
Fraught? Yes. So is the stonework of Chartres that makes possible such windows.


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